We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

bare bones

by Hel Sídhe Wyly

supported by
nothinghasgottenbetter
nothinghasgottenbetter thumbnail
nothinghasgottenbetter I mean it's great, but there seems to be so much lost with the poor quality recording.

I encourage you to seek this artist live. It's a glorious experience. Favorite track: call down the well.
Eric Lynch
Eric Lynch thumbnail
Eric Lynch They're music combines seering social criticism woven with the heartfelt vision of something greater delivered with an ineffable depth of feeling. At once displaying a loving sense of justice and invoking the interconnectedness, both lovely and grief-filled, that we are too often conditioned to forget. Listen and awaken yourself. Favorite track: animas.
/
  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
    Purchasable with gift card

      name your price

     

1.
take an old tale, give it new life take a bleached skull look in its eyes. call down the well, see what you find. pull back the veil and weave through time. do as the fox walk the line. do as the rabbit crawl inside. scry in the darkness of your mind. what do you find there, what do you find? do you fear death, love? do you fear life? there is no law but the cycle that binds. die back in winter, but come the time, your breath is the blossom, the rain and the shine. dark is the womb dark is the tomb dark is the restful night of the moon. dark is the soil dark is the tide no need to fear, dear, crawl inside
2.
our worlds were already burning before we set the streets on fire. our hearts were already yearning for some long-unspoken desire. your pacifism kills through silence self-defense is never violence i want no part of your hollow solidarity. how much more blood spilled on the floor before you notice this is war? and there is no safe space for anybody anymore. pipelines, prisons, border walls gender roles and livestock stalls rows of corn for miles and miles and fences to keep out the wild within the confines of the law, our movements turn mechanical. linear delineations confine, define all creation. your pacifism kills through silence self-defense is never violence i want no part of your hollow solidarity. how much more blood spilled on the floor before you notice this is war? and there is no safe space for anybody anymore.
3.
magpie 02:52
if you want to love me, you must know that the moment you try to capture me, i'll already be gone. no, my leaves don't spread, my flowers don't bloom, my fruit don't ripen for you but they can be such potent medicine if i so choose. if you wanna be my one and only, you must not know me well enough not to hold too closely. i'm a magpie bird in flight you'll have to shoot me dead out the sky 'fore i ever say that i am not my own. i've been hurt too many times to resign all this love of mine to any pretty person that i meet i'd rather keep myself to myself i ain't no thing you can buy off the shelf i belong to the wild woods and dirty streets if you wanna be my one and only, you must not know me well enough not to hold too closely. i'm a magpie bird in flight you'll have to shoot me dead out the sky 'fore i ever say that i am not my own.
4.
mosaics 03:13
i can be water, moving mountains i can be fire, creative destruction i can watch willow, letting her leaves go i can make mosaics out of the shrapnel. sweeping the scythe goes, that is the cycle arms full of shiny, solid gold apples. there is no time to succumb to fear death, ever-smiling, is waiting, my dear. smile back. let it burn, let it die. let the vines consume these lights capitulating spaces never safe for us let it flood, let it rise from the salt-springs of our eyes. i'm tired of waiting for the "right time" i can be water, moving mountains i can be fire, creative destruction i can watch willow letting her leaves go i can make mosaics out of the shrapnel.
5.
honey, i can't hear you through the voices 'side my mind honey, i wanna be your love, but first i gotta be mine, mine. lookin' round at the faces, oh, they all look the same. dimensions tricklin' through the spaces 'tween the normal and mundane. i don't think you understand: i need somebody to cut this from my soul. no, it ain't lovin but at least i ain't alone, no. i need somebody to shake this from my bones mark my skin, blood and sin they leave me lyin' whole. oh, now you're runnin away. i don't think you understand: i need somebody to cut this from my soul. no, it ain't lovin but at least i ain't alone, no. i need somebody to shake this from my bones mark my skin, blood and sin they leave me lyin' whole. and now i'm runnin away.
6.
bramble 06:33
i was throwin pebbles at a map laid on the ground, compass needles turning in my heart. the flies drowned in my wine locked in love for one last time still i drank them down, drank them down, drank them down. i was smashin bottles from a high-rise right downtown somethin wicked welling in my gut. i slipped out in the morning as ze lay there softly snoring and i asked the rain to let my poor soul drown let it drown let it drown. am i too much for you to handle? am i a burden too much to bear? when i'm by your side, do i stick like a bramble? a knot in the golden threads of your hair. i was in the basement crying in my underwear gasping through the hands around my throat. it's dripping down the wall, it's spreading all over the ground. the cool, stale air and how i drank it down. we was watchin firedancers underneath the bridge. the carnival lights flickered as the storm came rollin in. and the river there was bitter, but it flowed out to the sea. the lightning in your veins helped me to breathe. am i too much for you to handle? am i a burden too much to bear? when i'm by your side, do i stick like a bramble? a knot in the golden threads of your hair. i may be crazy, but you still love me. when shit gets ugly, you still call me honey. sometimes i walk slow into traffic just to feel the fear and shake it out like a rabbit. sometimes i float away from my body, to the pieces of my spirit that died in that basement. i'm a moth flying into the fire searchin for the moon but instead found my pyre. in your dreams, a teacher told you somethin 'bout desire; sharper than the edge of a blade. i was too much for you to handle. i was a burden too much to bear. when i was by your side, i stuck like a bramble. a knot in the golden threads of your hair.
7.
i wanna take you down to the deepest, darkest places i been hangin around. scratchin in the dusty old corners of my mind. i know that you can do better than that. got me stretchin myself like leather to patch up all the scraps you left behind. tell me where you put those pieces you took from me. blindsided, hide yourself behind my eyelids. you still haunt me in my dreams. my rivers run bloody and blackened with oil. my forests been clearcut and stripped of their soil. and what kind of seeds you plantin back here? who taught you how to steal? we all make mistakes. after that it's all about the path that you take - but i see you at the crossroads shakin' in your boots. so come back my way. my landscape's shiftin to absorb all the pain. what kind of seeds you planted back here? who taught you how to steal?
8.
spider is spinning she's weaving her web through the roots and the branches that gather the realms pass through the shimmering veils of time there you will find the well. draw up the vessel and drink of the void. ye smallest of creatures and greatest of galaxies eternity spins on her deft little limbs, the tapestry finishes where it begins. some speak of black holes and some speak of end-times, but what's on the other side? some speak of black holes and some speak of judgement, but what's on the other side? spider is spinning, she's weaving her web. we're in the weave and we're in the weft. here in her swaddle, all things are kept until she cuts the thread.
9.
animas 03:19
clear creek glass eyes dead eyes rolling no fish dull shine lead-laced daisies sprawling weeping red and orange gold mines seeping white strands reaching. i cannot find a reason or rhyme for the senseless destruction our sick river cries. up by the gold king they pump her with lye still caustic and toxic - but the strip test looks fine where's the resistance? where's the commitment? hundreds of landmines just waiting to blow. how will we answer to our descendents with nothing but cancerous waters to show? come armed to the teeth. come with spores and with seeds. come ready to heal and willing to die. when will we see that this land lives and breathes? that its captors and killers must pay for their crimes? my arms ain't wide enough to hold the world. my heart ain't hard enough to watch as it burns. i can't cry tears enough to snuff out the flame. i cannot scream enough to ease the pain. does it make you uncomfortable? does it make you afraid to think that this entire culture's to blame? does it smash your illusory notion of "safe?" will you fight for the land and the life it sustains? when is enough enough for you? when is enough enough? when is enough enough for you? when is enough enough?
10.
holy rot 02:34
holy, holy rot spread your tendrils through this bloated culture of death. some of us stay behind to paint the bones. now i know why magpie laughs.
11.
uisce 03:13
can i breathe? can i grieve? can i scream? can i? can i eat? can i sleep? do i look like a machine? do i? tender flesh and bone wounds give way to sick and sorrow. why try to put on a new face and hide and fade away? i held a plastic baby. deep black doll eyes, unseeing leaking breast and sudden regret. too late to question my decisions though they were right. think they were right. can i breathe? can i grieve? can i scream? can i? can i eat? can i sleep? do i look like a machine? do i?
12.
fly 02:53
i wanna find you somewhere on a mountain watchin the city dissolve into the ocean. i wanna recognize your voice in a symphony of breaking glass and sirens. i want you to fly. i don't want you to be mine. i wanna press you to me like a letter to my lips to be sent far away. i wanna trace the curves of your face like it's the last thing that i'll touch, and i want you to fly. i don't want you to be mine. ebb and flow through my life, you do. crash against me like a tide... you do.
13.
shady grove 03:22
peaches in the summertime apples in the fall i can't have the one i love, i don't want none at all. shady grove, my little love, shady grove my darlin, shady grove, my lil love, i'm bound for shady grove. wish i had a banjo string, made o gold and twine every tune i play on it, i wish that love was mine. wish i had a needle n thread, fine as i could sew. sew that pretty one to my side and down the road we'd go. some come here to fiddle and dance some come here to tarry. some come here to fiddle n dance but we came here to marry. every night when i come home my honey i try to please 'im more i try, the worse he gets be damned if i don't leave him so i said, swing around pretty lil mister, swing around, my daisy swing around, pretty little mister oh, you drive me crazy. first i saw my shady grove, he was standin in the door bells n flowers in his hair and dirty bare feet on the floor last i saw my shady grove he was walkin down the highway i stood and cried with my thumb to the side and prayed he'd look back my way.
14.
come all ye fair and tender ladies take warning how ye trust young men they're like a star on a summer mornin they'll first appear, and then they're gone they'll tell to you some loving story declare to you their love is true then straight away go and court another and that's the love they have for you i wish i was a little sparrow that i had wings, and i could fly i'd fly away to my false true lover and while they'd speak, i'd sit and cry. but i am not no little sparrow i have no wings, and i can't fly so i'll sit right here, with my grief and sorrow. i'll sit right here until i die. young gal, don't cast your eye on beauty for beauty is a thing shall fade seen many a bright, sunshiny mornin turn into a dismal day.

about

this was recorded in a day on a cheap spacephone in my friends' echoey house in albuquerque, nm. <3 i hope it speaks to you!
(the last two tracks are traditional folk tunes.)

credits

released February 19, 2017

everybody who's ever broken my heart and everybody who's ever helped me pick up the pieces.

license

all rights reserved

tags

about

Hel Sídhe Wyly New Mexico

all itchy feet, calloused fingers, burnt cities and wild forests.
banjo, dulcimer, concertina, mouth trumpet and vocals by Hel Sídhe Wyly.

contact for booking around the southwest <3

contact / help

Contact Hel Sídhe Wyly

Streaming and
Download help

Report this album or account

If you like Hel Sídhe Wyly, you may also like: